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Women In Ancient
India
Women enjoyed a
position of respect and stature in ancient Vedic India.
Women of the Vedic period (circa 5000-1200 BCE) were
epitomes of intellectual and spiritual attainment. The Vedas
have lots to say about these women, who both complemented
and supplemented their male partners. When it comes to
talking about significant female figures of the Vedic
period, four names - Ghosha, Lopamudra, Sulabha Maitreyi,
and Gargi - come to mind. The ideals
of Indian women hood are also embodied in the tales of the
ancient Puranas such as the Srimad Bhagavatam.
Further, many of the sages are
named in a matrilineal manner, emphasizing the role of the
Mother and refuting the oft held belief that the vedic
period was a patriarchal society.Here is one such
Genealogical table of names
It is more than coincidental
that the deity associated with learning and knowledge is
Saraswati ,the deity that adorns the left hand side of the
banner. There have been numerous instances of women
exhibiting high standards of courage, valor, learning and
wisdom in the ancient period of the Indic civilization. We
will touch on the lives of a few constrained as we are by
space and time.
One of the
little known women in ancient India was Ubhayabhaarati.
Little remains that is extant about her life. When was she
born? We do not know for certain ,other than the fact
that she was a contemporary of Adi Sankara and the
wife of Mandana Misra. There is controversy over the
dating of Adi Sankara's birthdate and we will tackle that
topic elsewhere. Here we focus on Ubhayabhaarati and the
qualities she displayed during this famous episode.
Ubhayabhaarati
Urvasi
There is the tale of the
celestial nymph Urvasi and her earthly lover Pururavas. It
is a charming tale as recounted by Kalidasa, the
great poet laureate in Sanskrit. Here is the
Legend of Urvasi and Pururavas
Then there were Gargi and
Maitreyi but we will have to wait for another day to hear
about what made them notable as women in the ancient world
http://hinduism.about.com/library/weekly/aa031601c.htm
Ghosha
Vedic wisdom is encapsulated in myriad hymns,
and 27 women-seers emerge from them. But most of
them are mere abstractions, except for a few,
such as Ghosha, who has a definite human form.
Granddaughter of Dirghatamas and daughter of
Kakshivat, both composers of hymns in praise of
Ashwins, Ghosha has two entire hymns of the
tenth book, each containing 14 verses, assigned
to her name. The first eulogizes the Ashwins,
the heavenly twins who are also physicians; the
second is a personal wish expressing her
intimate feelings and desires for married life.
Ghosha suffered from an incurable disfiguring
disease, probably leprosy, and remained a
spinster at her father's house. Her implorations
with the Ashwins and the devotion of her
forefathers towards them made them cure her
disease and allow her to experience wedded
bliss.
Lopamudra
The Rig Veda ('Royal Knowledge') has long
conversations between the sage Agasthya and his
wife Lopamudra that testify to the great
intelligence and goodness of the latter. As the
legend goes, Lopamudra was created by sage
Agasthya and was given as a daughter to the King
of Vidarbha. The royal couple gave her the best
possible education and brought her up amidst
luxury. When she attained a marriageable age,
Agasthya, the sage who was under vows of
celibacy and poverty, wanted to own her. Lopa
agreed to marry him, and left her palace for
Agasthya's hermitage. After serving her husband
faithfully for a long period, Lopa grew tired of
his austere practices. She wrote a hymn of two
stanzas making an impassioned plea for his
attention and love. Soon afterwards, the sage
realized his duties towards his wife and
performed both his domestic and ascetic life
with equal zeal, reaching a wholeness of
spiritual and physical powers. A son was born to
them. He was named Dridhasyu, and he later
became a great poet.
Maitreyi
The Rig Veda contains about one thousand hymns,
of which about ten are accredited to Maitreyi,
the woman seer and philosopher. She contributed
towards the enhancement of her sage-husband
Yajnavalkya's personality and the flowering of
his spiritual thoughts. Yajnavalkya had two
wives, Maitreyi and Katyayani. While Maitreyi
was well-versed in the Hindu scriptures and was
a 'brahmavadini', Katyayani was an ordinary
woman. One day the sage decided to make a
settlement of his worldly possessions between
his two wives and renounce the world by taking
up ascetic vows. He asked his wives their
wishes. The learned Maitreyi asked her husband
if all the wealth in the world would make her
immortal. The sage replied that wealth could
only make one rich, nothing else. She then asked
for the wealth of immortality. Yajnavalkya was
happy to hear this and imparted to Maitreyi the
doctrine of the soul and his knowledge of
attaining immortality.
Gargi
Gargi, the Vedic prophetess and daughter of sage
Vachaknu, composed several hymns that questioned
the origin of all existence. When King Janak of
Videha organized a 'brahmayajna', a philosophic
congress centered around the fire sacrament,
Gargi was one of the eminent participants. She
challenged the sage Yajnavalkya with a volley of
perturbing questions on the soul or 'atman' that
confounded the learned man who had till then
silenced many an eminent scholar. Her question -
"The layer that is above the sky and below the
earth, which is described as being situated
between the earth and the sky and which is
indicated as the symbol of the past, present and
future, where is that situated?" - bamboozled
even the great Vedic men of letters.
The following is a must read
article . My good friend, the tireless Kalavai has
outddone himself in a burst of creative energy . Some may
not realize that Kalavai has a day job while he burns
the midnight oil churning out this prodigious output of
historical essays.
Women in Hindu Dharma
Women in Indian Civilization
The Story of Savitri & Satyavan
Contributed by poster Sunder
in IF
In the western world women
have been playing a second-fiddle to men, in mythology as
well as in history. It is unknown
in Semitic sects that a
woman has been worshipped independently for her own
qualities. i.e. even in the Christian Mythology, in case of
Mary, she has only been revered as the "Mother" of Jesus,
and not independently before the conception of "Son of God".
In the West, one rarely finds works extolling the virtue of
women and reverence to them. There seems to be a dearth of
information on women Role Models who are equated or elevated
to the stature of a goddess let alone Goddess (with a
Capital G) so much so that even the Mariam Webster's
dictionary fails to have an entry for "Goddess" (with an
upper-case G).
Indian culture and tradition don the other hand does not
consider women as "objects" to be ritualistically
worshipped, not does it sideline women to being mere
wall-flowers who watch life pass by them. Women have always
played and active and *important* role in the Indian
society. The Scriptures have 'Suktas' specially for women
Goddesses like Shri Suktam, Neela Suktam, Bhu Suktam etc.
The most exalted of all Mantras - The Gayatri Mantra - is
also addressed to the Mother of Vedas, Veda Matha Gayatri.
Thus we see that for all it's hypocrisy, the west has to be
satisfied with a Ruth or a Mary as compared to the Hindu
Women who were very valorous, highly knowledgeable,
extremely compassionate, and undoubtedly Strong Willed women
who were Self-empowered.
The Upanishads and the epics address women by the epithet
"Fire". The purity and chastity of a woman in Indian culture
was something even the gods would be afraid of. Anasuya (Atri's
wife), and Sita (Rama's wife) are examples of this. A Hindu
who is faithful to his traditions would not look upon any
woman except his wife with lust. Thanks to modern influence
this outlook is slowly eroding away the Hindu mind.
Here are some women who are role models for all women.
*) Lalita Mahatripura Sundari. (Supreme Goddess who is even
higher than Brahma, Vishnu and Rudra.)
1) Sita. (Intelligence, Self-determination, and courage.)
2) Savitri. (Self Determination and intelligence.)
3) Anasuya. (For her humility, and extreme power.)
4) Satyabhama. (Valour.)
5) Lopamudra (composer/contributor of Rig Veda.)
6) Vakh Ambrini (composer/contributor of Rig Veda.)
While the above list is only a sample, there are innumerable
examples of women who have been revered by Hindus that it is
impossible to list them all here.
To get acquainted with our
forgotten past ( assuming that all we know is what our
English language History books would have you know) i
recommend we begin with the Srimad Bhagavatam
Women in sri Vaishnavism
Shringaara, A Worthy Aim of Hindu Life - II
by:
Bharat Gupt on Jan 17 2005 12:00AM in
Music
"The heroines were of four types
dhiiraa, lalitaa, udaattaa and nibhritaa. Royal women
were to be of the first two kinds. The respectable women and
the prostitutes could be of the last two types. They were to
be matched with appropriate heroes. These are very general
recommendations and were often not stuck to by the
dramatists. For instance, the Rama of Bhavabhuuti's
Uttararaamacaritam is not dhiralalita but
dhirprashaanta. On the whole these character types are
based on the principle that certain emotions are to be
enacted by characters of specific social description, as
they were the expected norms of behavior from persons of
such a class. The Brahmins were expected to be
contemplative, the kings generous, forgiving and adept in
the arts, the merchants were expected to be highly
charitable and the shuudras to be loyal.
Thus we may summarize that all
the diverse categorization of lovers is based on their
personal temperaments (svabhaava) and their worldly
situation (avasthaa). Once the complications of the
ancient cosmology, social stratification and moral demands
are seen through as needs of the times, the Naatyashastra
seems to rest its characterization basically on svabhaava
and avasthaa which are universal factors. The
foundations of this erotic theory was further expounded by
the Kaamasuutra for the purpose of carnal
satisfaction and by the Arthashastra for taxing and
protecting commercial sex by the state. "
Buddhism
and
People and
Before 1 CE
palmleaf
6:00 am
This will
surely open a new horizon in the history
of the Kathmandu Valley
When it
comes to Emperor Asokas children, the
standard line in most textbooks is about
how Mahinda and Sanghamitta were sent to
Ceylon to spread Buddhism. There is
not much mention about his other
children and what they did.
He had other
sons named Kunala and Tivara[14].
Apparently he also had a daughter named
Charumati, and recently one stupa
constructed by her was found in the
Kathmandu Valley.
Archaeologists at the Department of
Archaeology, a government
institution to conserve and protect
ancient monuments of the country,
said this is the first time
something has been found in the
Kathmandu Valley written in Brahmi
script, which was prevalent in 300
BC.
Only two
inscriptions have been found so far
in Brahmi script in Nepal one in
Lumbini and the other in Lignihawa,
both erected by emperor Ashoka.
We were
just enlightened. We could not
believe when we found bricks with a
word in Brahmi script. This will
surely open a new horizon in the
history of the Kathmandu
Valley,said senior archaeologist
Prakash Darnal.
The
brick has a Dharma-Chakra emblem,
two Swastikas, a word
Cha-ru-wa-tiin Brahmi script and
also two other words in the most
ancient form of Nepalbhasa script,
Bhujimol.
Till
date, historians believe that the
sixth century AD inscription of
Mandeva at the Changu Narayan is the
oldest inscription found in the
Valley and a statue of Jaya Barma,
found at Mali Gaon, is regarded as
made in the second century AD, he
said.
What we
have found in Chabahil may prove
that Katmandu has a 2,300-year-old
written history,Darnal said. But he
also added that the evidence is not
yet scientifically tested and the
word could have been written later
in Brahmi script that was extinct by
the second century in Nepal.
The
word Charuwatiproves the legend of
Charumati, said to be Ashokas
daughter, and this has some grounds
in the history, he said.[2300-year-old
inscription found in Chabahil]
The equals of Men by Nandita
Krishnan
Excerpts
I was recently researching the women of
ancient India when I came
across a startling piece of information.
Seventeen of the Seers to
whom the hymns of the Rig Veda were
revealed were women - Rishikas
and Brahmavadinis. They were Romasa,
Lopamudra, Apata, Kadru,
Vishvavara, Ghosha, Juhu, Vagambhrini,
Paulomi, Jarita, Shraddha-
Kamayani, Urvashi, Sharnga, Yami,
Indrani, Savitri and Devayani. The
Sama Veda mentions another four: Nodha
(or Purvarchchika),
Akrishtabhasha, Shikatanivavari (or
Utararchchika) and Ganpayana.
This intrigued me so much that I had to
learn more about them, but I
drew a blank. Who were these wonderful
women who were on par with
their men and produced the greatest and
longest living literature of
the world?
In the Vedic period, female
brahmavadinis (students) went through
the same rigorous discipline as their
male counterparts, the
brahmacharis. The Brihadaranyaka
Upanishad describes a ritual to
ensure the birth of a daughter who would
become a pandita (scholar).
The Vedas say that an educated girl
should be married to an equally
educated man. Girls underwent the
upanayana or thread ceremony,
Vedic study and savitri vachana (higher
studies). Panini says that
women studied the Vedas equally with
men. According to the Shrauta
and Grihya Sutras, the wife repeated the
Vedic mantras equally with
their husbands at religious ceremonies.
The Purva Mimamsa gave women
equal rights with men to perform
religious ceremonies. Vedic society
was generally monogamous, and women had
an equal place.
There are several instances of
individual women who sought to
educate themselves. Pathyasvasti went
North to study and obtain
titles. The well-known lady philosopher,
brahmavadini Gargi
Vachaknavi, was an invitee to the
world's first conference on
philosophy, convened by King Janaka of
Videha, and challenged
Yajnavalkya to a public debate. Her
acknowledgement of defeat and
praise of Yajnavalkya induced the king
to gift him 1,000 cows and
10,000 gold pieces, which Yajnavalkya
rejected and retired to the
forest, followed by his wife Maitreyi,
an equally educated and
spirited woman.
There were shaktikis or female spear
bearers according to
Patanjali's Mahabhashya, and women
soldiers armed with bows and
arrows in the Mauryan army, according to
Kautilya's Arthashastra.
The Greek Ambassador Megasthenes
mentions Chandragupta Maurya's
armed female bodyguard. Thus education
was not the only vocation for
women.
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